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Woodwinds
A “SOUND” Approach to STELLAR CLARINET TECHNIQUE
Every successful clarinetist is looking for a sound that is focused, clean, clear, even, rich and has a warmness and depth that will resonate and project to the back of the hall. Most importantly, effective sound production will enable the…
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AcoustiCoil – Positive Interference Making Better Music
An interview with inventor/trumpeter Don Novy by Banddirector.com
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Steve Wilson on the New V16 S+ Jazz Alto Saxophone Mouthpiece
Steve Wilson (Vandoren Artist)
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Reed Preparation for Single-Reed Players
Band directors realize that oboe and bassoon players must always work on their reeds to play with a good, characteristic tone. However, many band directors allow the single-reed players (clarinet and saxophone) to take a reed out of the…
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Paula Corley Visiting Vandoren in Paris
When the M|O came out, I was extremely excited. It's the best ligature that I've ever found. I’ve tried many others with my students, and myself, and hands down it's my favorite design. I think it allows the reed to vibrate freely, but you…
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NEW Legends Series Tenor Saxophone Mouthpiece
Legends Series mouthpieces are officially licensed mouthpiece reproductions modeled after the originals used by the world’s most iconic musicians. The creation of the Legends Series line begins with and features 3D scanning and post…
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David Gould Plays BD5 Bass Clarinet Mouthpiece and V21 Bass Clarinet Reeds
by David Gould (Vandoren Artist)
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Clarinet Mouthpieces for Students
Most mouthpieces marketed to students in the past and today have a very wide tip opening (the distance from the tip of the mouthpiece to the tip of the reed). A wide tip opening requires a soft reed to play. The theory is that a student can…
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Baritone Saxophone Reed Trial
by Gary Smulyan (Vandoren Artist)
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Anthony McGill Tries the BD5 Clarinet Mouthpiece
Anthony McGill (Vandoren Artist)
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