Michael A. Fischer, DMA Boise State University parterned with Ron Apperson to create this educational video, explaining techniques on mute insertion and removal for tubas and euphoniums. Read More...
Students should be able to describe the distinguishing characteristics of genres and styles from a number of cultures and use these characteristics to classify standard or familiar musical works into the appropriate category. Read More...
Opera and ballet are both excellent (if not obvious) places to start when it comes to understanding relationships between music and the other arts because these complex art forms incorporate elements of dance, theater, and even visual art… Read More...
The first step in learning to effectively evaluate performances and compositions is to develop a set of criteria with which to determine the quality of music that students either listen to or perform. Students can easily come up with a… Read More...
Listening sessions can be set up in a number of different ways. Some directors may want to devote the last five minutes of class to listening two or three times a week, while others may want to devote an entire class period to the activity… Read More...
The Fifth Standard, reading and notating music, is a crucial skill yet one that is fundamental to instrumentalists. Because of the way instrumental music classes are designed, the focus on reading music notation is more intensive in bands… Read More...
Standard Four, composing and arranging music within specified guidelines, was designed to make teaching composition to primary- and secondary-school students easy. However, this nearly foolproof approach can still be difficult to implement… Read More...
The Third Standard, “Improvising melodies, variations, and accompaniments”, is often overlooked in a concert band setting. The reasons for this are as wide and as varied as the technique itself. Read More...