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MSU Clarinet Specatular Master Class and Q/A Session – Part 2
A Tribute to the Legendary Elsa Ludewig-Verdehr - Part 2
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MSU Clarinet Specatular Master Class and Q/A Session – Part 1
A Tribute to the Legendary Elsa Ludewig-Verdehr - Part 1
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Finding Your Instrument – A Systematic Approach
New or used? Rent or buy? Rent or buy? Best sound or best intonation? Do you have to compromise, or you can have it all? You stand in front of several choices when you find the right instrument for you! The right choice can save you time…
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The Bass Clarinet
Although the bass clarinet and other harmony clarinets are not often solo voices, they add an extremely important dimension to the sound of the band. The full sound of a complete woodwind section is a wonderful asset to a group.
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Why Jazz – An Audio Interview and Book Review with Kevin Whitehead
by John Kuzmich Jr. Why Jazz? - a concise guide
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Caroline Hartig Masterclass 2008 – Clarinet Spectacular
Live from MSU - Finding the Music within Demanding Technical Passages
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Studying the Full Score – Part III
At this time the conductor is directed toward the more subtle practices of his craft. Said the late Dimitri Mitropolous to one of his conducting students: "Remember, as a rehearsing conductor your primary function is to be a teacher.
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Studying The Full Score – Part 2
Many band conductors are engaged with their players in a constant struggle over rhythmic observances. Reasons for this struggle are not difficult to find. Underlying all rhythmic insecurity is the fact that an acute sense and feeling for…
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Studying The Full Score – Part 1
In order to come to an intelligent comprehension of the full score, the conductor must have the ability to quickly perceive the phrase structure. So much depends on the depth of this perception
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