Learning Your Way Around The Instrument-Warmup: Low-Middle-High on Each Position/Fingering.
Identifying notes as the position/fingering numbers plus low, middle, or high at first gives them an idea of where they are on the horn. They then have a reference to correct themselves if they get off: "Oh, I'm on 1 low and I'm supposed to…
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Tuba Masterclass with Steve Campbell Performance Excerpts
Broadcasted Live
Wednesday, April 8, 2009, 7:30pm EST
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Using Tuba and Euphonium Mutes
Michael A. Fischer, DMA Boise State University parterned with Ron Apperson to create this educational video, explaining techniques on mute insertion and removal for tubas and euphoniums.
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Demondrae Thurman Euphonium Recital
Indiana University of Pennsylvania - Demondrae Thurman is a Miraphone Performing Artist -Recorded Live - UP Brass Day - 03-05-2011
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The National Standards of Arts Education – Part 9
Students should be able to describe the distinguishing characteristics of genres and styles from a number of cultures and use these characteristics to classify standard or familiar musical works into the appropriate category.
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The National Standards of Arts Education – Part 8
Opera and ballet are both excellent (if not obvious) places to start when it comes to understanding relationships between music and the other arts because these complex art forms incorporate elements of dance, theater, and even visual art…
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The National Standards of Arts Education – Part 7
The first step in learning to effectively evaluate performances and compositions is to develop a set of criteria with which to determine the quality of music that students either listen to or perform. Students can easily come up with a…
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The National Standards of Arts Education – Part 6
Listening sessions can be set up in a number of different ways. Some directors may want to devote the last five minutes of class to listening two or three times a week, while others may want to devote an entire class period to the activity…
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The National Standards of Arts Education – Part 5
The Fifth Standard, reading and notating music, is a crucial skill yet one that is fundamental to instrumentalists. Because of the way instrumental music classes are designed, the focus on reading music notation is more intensive in bands…
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