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Ever find yourself reminiscing about the "good ol' days" when you were in marching band? In 1983, Bill Findeison felt the same way.
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A Natural Talent An Interview with John Carnahan When John Carnahan decided to try his hand at composing, he didn’t anticipate the fanfare his first piece would bring. Carnahan is the Director of Bands and Director of the Bob Cole…
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The first edition of Beyond Talent quickly became a favorite among classical and jazz musicians, and has been used in courses at scores of conservatories and universities.
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***For Immediate Release*** Mt. Juliet, TN - January 2018 - KHS America announces the release of the new Jupiter Sax Gig Strap JCM-SXNS01. This over-the-shoulders strap is constructed of leather and suede giving it the durability and…
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Warburton French Horn Mutes Terry Warburton's latest addition to complement his full line of brass mouthpieces and accessories is the Warburton Woody Mute.  Starting with an interest in wood-working at an early age, it is no surprise…
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The P.E.T.E. is a unique tool to use to perform isometric exercises that strengthen and develop the embouchure. The P.E.T.E. is the only tool on the market that exercises the exact musculature involved
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Solo and Ensemble Practice and Performance Tips Johanna Beth Sennett Part II The Performance Warm-up: Use a big beautiful sound. Find a favorite simple melody, tune or scale and breathe a warm singing tone into your instrument.…
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At a time of year when so many student competitions are taking place, I thought it would be helpful and perhaps even inspiring to review some basic practice and performance ideas.
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For years, band directors have struggled with their room acoustics. The needs are simple:
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There are three trombone mouthpiece placements. All are correct, you just have to use the one that is correct for you. Most trombone players naturally find the right one, but sometimes they are told to use the wrong one. Teachers tend to…
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