October
University of Cincinnati College - Conservatory of Music
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Observe the Speed Limit by William L. Berz
Obviously, there is really not a single correct tempo for a given work or section even though composers do provide pretty specific guidelines, either metronome markings or subjective descriptions. However these indications can sometimes be…
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My Transition from Performer to Conductor by ENS Bruce A. McDonald
My earliest recollections of wanting to conduct go back to my teenage years. Listening to the radio or to records, I found the idea of compelling musicians to "play it my way" rather exciting and would follow along with a pencil as my…
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2006 WSU Artist-In-Residence: Walter White Brass Discussion – Part 3
2006 WSU Artist-In-Residence: Walter White Brass Discussion - Part 3
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2006 WSU Artist-In-Residence: Walter White Brass Discussion – Part 2
2006 WSU Artist-In-Residence: Walter White Brass Discussion - Part 2
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2006 WSU Artist-In-Residence: Walter White Brass Discussion – Part 1
2006 WSU Artist-In-Residence: Walter White Brass Discussion Part 1
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Trumpet Intonation by Dr. Gary Wurtz
It is only possible to play in tune with a good, centered sound.
Loud playing tends to go flat, or is at least perceived as flat.
Soft playing tends to go sharp, or is at least perceived as sharp.
Playing at a distance makes the pitch…
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The Role of the Lead Trombone Player
Along with both the lead trumpet and alto saxophone, the lead trombone player shares in the responsibility of establishing style, articulation, and phrasing. The lead player must have the ability to listen closely to the other lead players…
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The Sounds of Summer
It is hard to believe May is here and the school year is rapidly coming to a close. As I was brainstorming for a topic that would serve band directors well at this point in the year, a Mozart Horn Concerto was playing on my car radio. It…
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