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As a percussionist, there are three things that we should always work on - reading, rolls and ear/listening. I know it is naive to… Read More...
Just like the basics of basketball are dribbling, the chest pass, and free throws, the basics of performance on a keyboard percussion instrument are the grip, the stroke, and proper sound production. Without these basics, every other aspect… Read More...
In the realm of percussion, the goal for every music educator is to create a percussionist who is a musician. As teachers, we dream of a highly disciplined group of students in the back of the band hall who are every bit as accomplished as… Read More...
With the old head still in place, mark the counterhoop and a corresponding spot on the bowl. Adjust the fine tuner so that it is midrange. Pedal the pitch of the head down to its lowest point. Read More...
Teaching cymbal technique is often a neglected topic in the course of study for many young percussionists. Due to time limitations and an overwhelming amount of information that is necessary to learn on snare drum, keyboards, and timpani,… Read More...
How do you play a basic crash? First, I think it’s important to have a pre-conceived idea about what sound should be produced when the cymbals are brought together. Read More...
This is the last part in a four part series examining the importance of proper auxiliary percussion in large ensemble performance. The instruments suggested are a basic inventory recommended for all band programs. Within the world of… Read More...
This is Part 3 in a four part series examining the importance of proper auxiliary percussion in large ensemble performance. The instruments suggested are a basic inventory recommended for all band programs. Within the world of percussion… Read More...
