Your answers to these simple questions will help improve the performance of your band
Read More...

With the old head still in place, mark the counterhoop and a corresponding spot on the bowl. Adjust the fine tuner so that it is midrange. Pedal the pitch of the head down to its lowest point.
Read More...

Single Reed Instruments: Questions and Answers   Saxophone: Q: How do I stop the high pitched squeaks that often come out of my saxophone section? PJ: Most of the time, extremely high pitched squeaks are due to the student not…
Read More...

Read More...

Teaching cymbal technique is often a neglected topic in the course of study for many young percussionists. Due to time limitations and an overwhelming amount of information that is necessary to learn on snare drum, keyboards, and timpani,…
Read More...

How do you play a basic crash? First, I think it’s important to have a pre-conceived idea about what sound should be produced when the cymbals are brought together.
Read More...

This is the last part in a four part series examining the importance of proper auxiliary percussion in large ensemble performance. The instruments suggested are a basic inventory recommended for all band programs. Within the world of…
Read More...

This is Part 3 in a four part series examining the importance of proper auxiliary percussion in large ensemble performance. The instruments suggested are a basic inventory recommended for all band programs. Within the world of percussion…
Read More...

In this part of this series, we will take a look at another set of basic auxiliary instruments, that band director should have for their ensemble. The instruments we will look at now are: Wood Block, Temple Blocks, Vibra-Slap, Claves, and…
Read More...